Profiles
Financial Times ‘This House is Jazz’: An Interview with Poeticwalls
Elephant Tracey Emin: It’s Only Natural
Artnet Zanele Muholi on Queering Bronze Sculpture
Plaster The Exchange: Sylvie Fleury and Esben Weile Kjær
Aperture The Photographer Who Spins Black Girls’ Lives into Gold
Printmaking
Norman’s Conquest: in the studio with master printmaker Norman Ackroyd
Made for Modelling: The dolls of Liorah Tchiprout
Prints of the Realm: Hiroshige’s transportive woodblock visions
Prints of Darkness: the velvety black tones of Joseph Wright of Derby’s mezzotint
Snap Impressions: Poppy Jones’s hazy still lifes
Prints among men: William Caxton brought the printing press to England
A winter’s tale: the woodcut wonders of Edvard Munch and Nikolai Astrup
Soane Together: Howard Hodgkin has arrived at Pitzhanger Manor
Lady of the Lakes: retracing the legacy of Gwyneth Alban Davis, who printed amid the meres
Private View: the details in Albrecht Dürer’s prints
How an overlooked printmaker became a hero of Mexican cultural identity
Contemporary Art
Art Review The Rise of the Feminist Mermaid in an Age of Ecological Crisis
The Glossary The Female Gaze: Frieze Focus
Apollo Concrete Sheep and Sleeping Clowns at South London Gallery
The White Review Martine Sims, Grande Calme
Art History & Heritage
The World of Interiors Cloud Studies: the art of Furuya Kōrin
The World of Interiors Read the Tomb: Egyptian Ritual Objects
Museums Journal Interpreting Islamic Collections
Sotheby’s Surrealism: A Journey through the Subconscious
Elephant Piero della Francesca’s Pregnant Madonna Changed the Way I See Religion
Interiors & Architecture
The World of Interiors Kindred Spirits: Inside the Watts Chapel
The World of Interiors Schist Just Got Real: A History of Shell Grottos
House & Garden The Famous Women’s Dinner Service
AnOther A New Map Pinpoints Tokyo’s Overlooked Concrete Buildings
Travel & Lifestyle
Country Life Cradle of the Arts: from Paris to the Balearics
Christie’s The Perfect Wine Glass: 7 Tips for Matching Shape to Grape
Art Quarterly The Crucible of British Film